This Drifting Poo Was Way Too Meaningful! These Are the Television Disappointments of the Year.

Looking back, we consider the TV landscape of the past year, a handful of shows stand out not for their brilliance, but for their spectacular shortcomings. From cringe-inducing sequels to confusingly bad docuseries, here are the programmes that left us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate follow-up? Plagued with woeful scripts, cringe-inducing character development (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show fought to justify its existence. For a moment, as the third series began, it seemed as if it had finally found its groove. Then arrived an installment all about Seema’s natural deodorant. No wonder the creator declared this would be the final season. It concluded on a low point; the closeup of Miranda’s toilet flooded with poo was just way too symbolic. Still, fans undeniably had a hoot picking apart every single “wtf?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the least of this show's issues. The subject of a very rare no-star review, it was hard to know where to start enumerating the problems. The hilariously leaden writing? The mind-numbing glorification of affluence and consumption? The almost deliberate parade of tropes? Performances so poor they felt almost malicious? Suffice it to say “all of the above” and never speak of this series again. Except, a new season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have known it from this multi-part docuseries which smirked its way at Sheen’s various episodes of reckless excess while failing to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any pity this show might evoke should be reserved for the people who have had to endure close contact with this charismatic but flippant egotist.

The Supercomputer Drama

Naturally we knew it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

MobLand

Shady characters convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t suffer the ignominy of having to indulge baffling accents. But there were plenty of other problems. Mainly that it was just really dull; a conflict over narcotics territory between various London picaresques which seemed a bit basic.

The Meghan Markle Series

Considering the degree to which she provokes the ire of certain performatively enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various ventures into quaint lifestyle as deliberate statements. But then you watch them and are compelled to admit that actually, they might have a point. It’s like watching a homeware magazine animated; a poster for evening drinks with ideas of grandeur; a parade of snoozing dogs, humming beehives, sentimental platitudes and pointless crafting “tips” you’ll forget instantly. All underpinned by immense, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with vocation, identity, self-acceptance. But for whatever reason, this documentary series opted not to say them. Instead, the viewing was like reading a marketing brochure. She clearly has good reason to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any favours with this cagey letdown of a series.

The Game Show

It should have been the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you want? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too complicated to explain what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a programme that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The expectation was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the shrewd inclusion of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Rather, the series struggled painfully to find the right tone, lumbering from strangely breezy, slightly stylised farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Very much so.

The Maths Genius Thriller

We admire the star … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the brink of a breakthrough that could destabilise society? Nope! This international thriller about government agencies spying on – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality notorious for explicit escapades as she prepared for her most extreme feat yet. What on earth would motivate her? What we craved was far greater examination of her true psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to drag her son out of the queue. What we got was disturbing imagery and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Heather Brown
Heather Brown

Eleanor is a children's play therapist and educator with 15 years of experience in fostering creativity through play.